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Showing posts sorted by relevance for query true hollywood story. Sort by date Show all posts
Showing posts sorted by relevance for query true hollywood story. Sort by date Show all posts

Friday, February 08, 2008

Amy Winehouse can't get a visa to come to LA, but at least she'll have her own E! True Hollywood Story


Amy Winehouse has been a favorite in the Tabloid Baby office long before she began a downward tabloid spiral that just may be evening out now that she’s holed up in Ozzy Osbourne’s guesthouse trying to get clean. So though we're disappointed the poor girl wasn't allowed into the States in time to come to LA so she can score some Brad Renfro heroin on the way to the Grammys on Sunday night, we were cheered to find out she's the subject of an E! True Hollywood Story on Saturday.

We'd hoped the show was produced by Michael Lynn, whom we've hailed as the best in the field of show biz docutragedy, but although another producer helmed the half hour, advance word is that it's action-packed, complete with teenage Amy footage (when she was twice the weight with half the hair height) and interviews with more than observers, including our favorite-named guitarist, Binky Griptite, whose Dap Kings backed Amy on her breakthrough album.

By the way, Wino is up against a new favorite of ours for Best New Artist on Sunday night. Taylor Swift is a teenage cutie who writes grownup kiddie country songs that sound just as good on Radio Disney, where they're sped up a hair and the fiddles and dobros are replaced by drum loops.

We reckon Taylor’s a good five years away from rehab and a True Hollywood story of her own.

Amy Winehouse: The E! True Hollywood Story premieres Saturday, February 9th at 6 pm, Eastern & Pacific Times on the E! Entertainment network. Michael Lynn's got a True Hollywood Story on Renee Zellweger airing on March 1st.

Wednesday, November 14, 2007

Ty will live in infamy as a True Hollywood Story


With vacuous swill like the syndicated series based on the corporate porn-pushing gossip site TMZ.com, tired corrupt infotainment standbys still dressing up pretty slim women in fatsuits, network news operations making millions with a politically-correct, neutered and scored version of the original genre, and writers considered to be at the bottom of every one of the heaps (Top Tip: The best writing in television these days can be found on BBC America, in Ramsay's Kitchen Nightmares-- check it out and agree), it's hard to find good tabloid on television these days.

But not impossible. Still standing heads above the rest when it comes to drama, pacing and the word: E!'s Entertainment's True Hollywood Story-- thanks in no small part to veteran producer Michael Lynn, the king of true Hollywood, the Ken Burns of Hollywood degradation, the Kenneth Tynan of cheap, disposable show business lives-- the Oliver Stone of longform reality television.

Michael has a new Hollywod Story in store for this weekend. And the combination of its excellence and unlikely subject brings the franchise to a new level. Watch what Michael Lynn and crew do with the life of a Ty Pennington. Ty the F Who? you may ask. The host of ABC's Extreme Makeover: Home Edition, the Jim Varney-Ryan Seacrest-Martha Stewart morph may be such a cypher to most of the public that cynics can be forgiven for assuming he got himself a drunk driving arrest in May just so his True Hollywod Story would have the proper arc.

In the deft hands of Michael Lynn, look for Ty Pennington to be as intriguing as the worst of them:
"Growing up, Ty was an unruly child who... was diagnosed with Attention Deficit Hyperactivity Disorder... Ty funneled his excess energy into developing his passion and craft for remodeling homes. Blessed with good looks, he did a brief stint in modeling... Though Ty seemed like a nearly perfect guy, a recent DUI charge shocked his most devoted fans...
Yes!

Michael tells us this show is upbeat and inspirational-- but it's got that drunk driving arrest and another low point or two. It also makes a bit of E! True Hollywood History itself, as it is the very first cold open without narration. Soundbites and music will draw you in... and flaks can quote Tabloid Baby here: "It's E!'s best Cold Open ever! We might even forgive the network for its conflict of interest in spreading lies about and dumping on the trailer for The Michael Lohan Reality Project!"

"Ty Pennington: True Hollywood Story" premieres this Saturday, November 17th, at 6 PM. If you can't catch the premiere, the show will air again, and again... as E! churns Pennington into Hollywood Babylon History... beginning Sunday at 3 pm... Monday at 2 am (for us insomniacs)... Tuesday at 6 pm and Friday at one in the afternoon.

Sunday, August 02, 2009

Farrah Fawcett's life and death become an E! True Hollywood Story


When NBC Dateline took Farrah Fawcett’s cancer documentary (as was its right since the network paid for it) and turned it into a morbid maudlin “mainstream news” version of a tabloid television special, critics groaned, millions watched in horror, the original producer sued and the Academy of Television Arts and Sciences gave it an Emmy nomination.

When The E! True Hollywood Story dedicates an hour to “the life and legacy of the iconic Hollywood beauty” on Wednesday night, there may not be awards cast in its direction, but viewers can expect they'll be able to sit down to a compelling hour of tabloid show business biography.

The E! True Hollywood Story is television’s premier entertainment biography show, turning each of its stories into a down-and-dirty Hollywood noir, laying its subjects bare while treating them with the respect and awe that their achievements and status command. Whether Natalie Wood or Ray Combs, Liberace or Jan-Michael Vincent, Rebecca Schaeffer or Joe Piscopo, all the THS subjects wind up together in the equivalent of a low-rent Sunset Boulevard motel-- not diminished but enshrined equally as True Hollywood Stars, for why else would we care so much about their personal travails?


It’s a pre-TMZ approach that comes closest to the Hollywood myth-handling of the early days of tabloid television when James Dean, Marilyn Monroe and Elvis were still fertile subject matter.

As for the series’ latest portrait of Farrah-- she was featured in 1999, in Season 3-- take it from the press release :

“In 1976, a famous hairstyle and a red swimsuit turned unknown actress Farrah Fawcett into a pop culture icon, but the Texas-born beauty never lost her girl-next-door humility and charm. Diagnosed with cancer in 2006, Fawcett was also an inspiration to many people as she waged a courageous battle with the disease that ultimately took her life. THS chronicles the complicated journey of this blonde bombshell through intimate interviews with those who knew her best…”

The hour-long episode features a rare interview with Farrah’s college friend Sylvia Dorsey, “who sat with Fawcett in the hospital during her final days, along with Farrah’s longtime stylist Mela Murphy and “Charlie’s Angels” creator Leonard Goldberg.

There are also “never-before seen photos taken by her best friend, Alana Stewart.”

In light of the turmoil among those closest to Farrah in the weeks preceding and after her death, those alone should make for a very interesting hour, while adding to the bigger picture.

“Farrah Fawcett: The E! True Hollywood Story” premieres Wednesday, August 5th at 10 pm Eastern and Pacific, and ten show up throughout the E! schedule.

Thursday, April 13, 2006

Exclusive! New indications that McDermott lives!

E! True Hollywood Story tackles the Olivia Newton-John saga this weekend, and their reportage confirms what Tabloid Baby has been reporting for months now: Newton-John’s alleged boyfriend, Patrick McDermott, missing from a fishing trip since last July—
is alive!

This information is supported by interviews with the U.S. Coast Guard, the crew of the fishing boat Freedom, on which McDermott was last seen—and by Tabloid Baby’s source in the area where McDermott was allegedly sighted.

We broke the news in March that representatives of the Freedom told our correspondent that the U.S. Coast Guard and members of the sportfishing community believe that McDermott staged his death because of mounting debts and obligations to his former wife.

They told us that McDermott has been seen, alive, in the town of Todos Santos, on the west coast of the lower Baja peninsula, about one hour north of Cabo San Lucas.

Lt. Tony Migliorini, the public information officer at the US Coast Guard station in Long Beach, confirmed to Tabloid Baby this afternoon that the disappearance of Patrick McDermott in July 2005 “is still an open case.

“We have no updates to report,” he said. “But we have an investigator assigned to the case. He has reports of sightings and he has followed them. We’ve received reports from people who say they’ve spotted him. Everywhere from Africa to Beverly Hills. But there are other leads that our investigator is following. And he probably has information that I don’t have."

The lieutenant emphasized: “We consider this case to be ‘open.’”

The journalists who produce E! True Hollywood Story confirm this in the Newton-John special, which debuts Sunday night.

E! Entertainment’s publicity people refused to allow Tabloid Baby to speak with True Hollywood Story’s producer Michael Lynn or any members of the production team, but they did send us the press release.

According to the publicity sheet, the episode does not include a fresh interview with Newton-John, but does contain exclusive interviews with her daughter, Chloe (“She's gone through something this year that is unthinkable”), ex-husband Matt Latanzi (“We're talking about a woman who's been through a lot”), her sister Rona, and other colleagues.

But the interview that stands out is one with Frank Liversedge, manager of the 22nd Street Landing in San Pedro, where the Freedom is docked:

"The period of time where Patrick supposedly disappeared on the boat, all the people were facing the stern part of the boat, the crew was back here in the back working. And you can see this standing right here-- there's no way anyone could go over the side or into the water without someone seeing them."

The E! True Hollywood Newton-John episode features footage from onboard the Freedom, and promises to bring new insight into the relationship between the superstar and McDermott, and, by the looks of the press release, leans toward the theory that Patrick McDermott is indeed alive.

So why does no major news organization, from Los Angeles to Sydney, have a reporter or producer assigned to this story, chasing down the leads, and bringing McDermott back alive—before the bounty hunters or government officials do it?

Tabloid Baby has learned that the E! team had spoken with Coast Guard investigators and had hoped to get advance notice in case McDermott is tracked down before the show goes to air.

But the E! publicity people won’t let us get confirmation from the source.

Our man in Todos Santos

Whether he stepped off the Freedom and into a waiting car for a drive to Tijuana, or, as we have been told, slipped onto another fishing boat for the cruise to Todos Santos, there is evidence that McDermott is alive.

Tabloid Baby has been in contact with one of the few full time journalists in Todos Santos, and in a fashion that should make Michael Connelly and Elmore Leonard proud, has provided him with picture of McDermott that he's been showing around town.

“One person finds the face somewhat familiar,” reports our source in Todos Santos. “Let me just say, forget the Police. This is a basically a rural farming community. The infrastructure barely supports the police having a telephone line and fuel for their vehicles, far less any sophisticated search facilities.

“One person finds the face somewhat familiar.”

There are many unanswered questions in this story, from Newton-John’s public silence during the first seven weeks of McDermott’s disappearance, to the spin control performed by her team in the months since, and the continued silence of McDermott’s ex-wife, with whom he was locked in child support and custody battles.

This story is very much alive.

(And a tip of the Tabloid Baby hat to Michael Lynn, one of the foremost nonfiction producers and writers in television, for helping move the story and investigation forward.)

Monday, June 05, 2006

Tracking McDermott: The Tabloid Baby Timeline

Amid new sightings of Patrick McDermott, the alleged boyfriend of Olivia Newton-John suspected of faking his death and hiding in Baja Mexico, phone calls and emails are coming into Tabloid Baby from around the world, acknowledging our team’s leadership in the effort to bring him back alive.

Tabloid Baby was the first to report that McDermott had been seen in and around the town of Todos Santos on Mexico’s Baja Peninsula—three months ago-- but the story is only now receiving mainstream attention, as Australian newspaperman Nick Pappas plasters Aussie tabloids with his first-person accounts from the remote vacation region.

In fact, the McDermott mystery was the very first story covered by the new Tabloid Baby news, comment and Tabloid Baby links site, when the major journalists behind the revival of the syndicated television newsmagazine, A Current Affair turned it into a news outlet after the show’s cancellation by Roger Ailes (in part because the series was beating his Fox News on stories like this one).

The very first call to keep the McDermott story alive was posted on SUNDAY, NOVEMBER 13, 2005. Short, but to the point:

Scandal: No justice for Patrick McDermott
Here we have a Hollywood mystery with more twists and clues than a Michael Connelly novel, all in plain sight. So why did the media drop the story?

SUNDAY, FEBRUARY 05, 2006
Where in the world is Patrick McDermott?

…It appears that Olivia Newton-John’s team has successfully put this scandal behind her. But what happened to Patrick McDermott? And why doesn’t anyone care?…

SATURDAY, FEBRUARY 11, 2006
McDermott Mystery: Newton-John responds

Where in the world is Patrick McDermott? Olivia Newton-John’s spin machine has addressed Tabloid Baby’s questions about her behaviour regarding the disappearance of her “boyfriend” Patrick McDermott last summer. In a blitz of long-distance interviews with Australian news media yesterday, Newton-John refused to go into details about the case, but astonishingly used the mystery to promote her new album and concert tour! The questions remain: Where is Patrick McDermott, and what does Olivia Newton-John know about his disappearance?

The mainstream media was still too lazy to take our cue. So within weeks, the Tabloid Baby news team went out and did it themselves:

MONDAY, MARCH 06, 2006
EXCLUSIVE! "PATRICK McDERMOTT IS ALIVE!"

"Patrick McDermott, Olivia Newton-John’s missing boyfriend, is alive." Sources close to the case have told Tabloid Baby that McDermott staged his death because of financial troubles, and that he has been sighted numerous times since his disappearance, in the Baja California region of Mexico. This explosive news was uncovered over the weekend at the 60th annual Fred Hall Fishing Tackle & Boat Show in Long Beach, California, just miles from where McDermott was last seen on a charter fishing boat. “Oh, he’s definitely alive,” one source said. “There have been sightings. Lots of them. He’s been seen in the Baja. In Todos Santos.”

Website L.A. Observed ran with the story, but from the L.A. Times to Extra, the biggies were more concerned with Lindsay Lohan’s fender benders.

And then, acclaimed producer Michael Lynn of E! True Hollywood Story brought the story to the international forefront-- while Tabloid Baby went a step further and got confirmation: The U.S. Coast Guard considered Patrick McDermott to be alive:

THURSDAY, APRIL 13, 2006
Exclusive! New indications that McDermott lives!

E! True Hollywood Story tackles the Olivia Newton-John saga this weekend, and their reportage confirms what Tabloid Baby has been reporting for months now: Newton-John’s alleged boyfriend, Patrick McDermott, missing from a fishing trip since last July— is alive! This information is supported by interviews with the U.S. Coast Guard, the crew of the fishing boat Freedom, on which McDermott was last seen—and by Tabloid Baby’s source in the area where McDermott was allegedly sighted... “One person finds the face somewhat familiar,” reports our source in Todos Santos. “Let me just say, forget the Police..."

SUNDAY, JUNE 4, 2006
McDermott Lives: Media finally follow our lead...


Today, our investigators in Todos Santos remain on the hunt. In wake of the publicity, one emailed today, with a message that may explain why McDermott has been spotted recently—and why he’s remained hidden in plain sight for so long:

“Well most of the snowbird gringos have left TS now, so if this guy is around he should be a little more conspicuous….I think most folk down here would just not want to get involved. They came down here in an attempt to get lost and a lot of folk have re-invented themselves, so they may have some sympathy for McDermott.”

Friday, September 28, 2007

Michael Lynn is an E! True Hollywood Beach Boy


Tabloid Baby pal Michael Lynn (above, right) has another great E! True Hollywood Story premiering tomorrow (Saturday) night, this one on newly-hot-again TV actor John Stamos, who rebounded from the end of his marriage to Rebecca Romjin by reviving the old TV show ER and making tabloid headlines with a recent drunk-seeming appearance on Australian morning TV with our old pal from the A Current Affair=Hard Copy days, Kerri-Ann Kennerly:

Of course, Michael, who's the top longform scripted reality television producer not only at E!'s iconic (that's their word and it's a good one) series, but in the industry, got an interview with Stamos for the one hour. But he tells us that for him, the highlight of the shoot-- and possibly his life-- was when he was invited to appear onstage in San Diego to sing "Fun Fun Fun" with Mike Love's latest version of the Beach Boys. Stamos has performed with the group for years, as all of us fans of Full House know all to well.

Watch for it. E! True Hollywood Story: John Stamos. Saturday, September 29 at 6 pm, Sunday, September 30 at 8 pm. And more plays Tuesday, October 2 at 6 pm and Sunday, October 7 at 9 pm.

Tuesday, August 04, 2009

Life is sad without Farrah

The aftermath of Farrah Fawcett's death just... gets... sadder. Jezebel reports that Vanity Fair's Farrah cover story "mainly offers the definitive portrait of what a horrible partner and father Ryan O'Neal is, without getting at who Farrah really was"; Farrah's old boyfriend Greg Lott, cut off from the inner circle and left holding the bag for paid orders from the Farrah website he ran until O'Neal shut it down, is being roasted by the public relations man he'd hired to get his story out; and as our pal The Big Cheese at Hollywood's Rumor Rat tipped us while it was happening on Larry King Live, sad Griffin O'Neal has come forward again to attack his sad father.


This is where the Hollywood tragedy becomes the sordid Hollywood saga. We figure it's good reason to watch The E! True Hollywood Story premiering tomorrow night. Word is Greg Lott makes an appearance as well.

Sunday, December 19, 2010

Buy, bye


Mike Wallace, CBS News ‘60 Minutes’
Sad, funny, undeniably authentic, Tabloid Baby tells the tale of what befell too much of mainstream television news over the past couple of decades as the bad drove out the good.

Maury Povich
Burt was there for the birthing of tabloid, he became the heart of the genre, and now he’s written the Bible.

Paula Zahn, Fox News Channel
It was a fun read. I laughed out loud!

Jim Ryan, Good Day New York, WNYW-TV
This one is terrific! This one puts you there. It gives you the flavor of being there and it gives you the kind of off-the-wall gonzo journalism that was going on there!

J. Max Robins, The Robins Report, TV Guide
Tabloid Baby is a compelling, vodka-laced chronicle that pulls back the curtain on the helter-skelter world of tabloid TV. Celebrities’ bad behavior—illicit sex, substance abuse, betrayal and revenge— are commonplace in the weird world of Tabloid Baby… Some of the incidents in Tabloid Baby are laugh-out-loud funny… I can corroborate how accurately he captures the era… Kearns does his subjective best to show how the tabloid genre stripped away pretensions from the news. He demonstrates how a bare-knuckle style of reporting often produced exclusives, while occasionally even bringing insight to the most sensational stories of the decade.

John Strausbaugh, New York Press
He helped change forever the way the news gets told on TV. Kearns is defiantly, happily unapologetic. That’s part of what makes his memoirs such an absorbing read. Tabloid Baby is a funny, brash, packed-with-anecdotes account of his role in the trashing (my usage) of TV news. If Kearns lays on the mythologizing a bit thick–his portraits of colleagues like Steve Dunleavy come straight out of 1930s hero-worship of the two-fisted, whiskey-pounding newspaper reporter–it’s probably just because he’s looking to sell HBO the movie rights, and why not. Besides, even his heroes show their warts, and portraits of powerful media figures like Barry Diller, Diane Dimond, Anthea Disney and Jeff Greenfield are boldly unattractive. On the broad scale, Tabloid Baby is a simple and familiar tale about the Aussification of the news: that is, it’s about the enormous, and many would say enormously detrimental, impact Rupert Murdoch and his piratical Aussie crew have had on news, both in print and electronic, both here and in England, over the last decade. On a more petty level, various other famous asses get satisfying comeuppances in Tabloid Baby. He tells some great Hollywood-sleaze stories.

The Straits Times, Singapore
Pop culture history of the best sort -- dishy, gossipy, delivered with the unerring ear of a TV reporter for the good soundbite and a healthy dose of cynicism. A rough and tumble, zippily-entertaining pop history of the birth of American tabloid television. In this kiss-and-tell, after a fashion, book, he provides the lowdown on how American television reporting got from the buttoned-down, WASP mentality of anchors like Walter Cronkite to the sleaze-driven mania of the Lewinsky phenomenon in the 1990s.

Today’s Librarian magazine
Tabloid Baby is a realistic account of how the medium of television emerged from the mass of “infotainment” programming it now embraces. A master at taking the reader behind the scenes, author Burt Kearns goes one better and shows in detail who’s calling the shots and the cut-throat nature of the business. Kearns relates the down and dirty to us—all first hand. The industry philosophy of “do whatever you have to do to get ratings, no matter who you hurt” is the underlying theme throughout the book, and Kearns’ experience as the former executive producer of A Current Affair and Hard Copy makes him more than qualified to give us this accurate account. The reader is given the obvious advantage of hearing about the people, the drinking, the sex, the drugs, from someone on the inside who lived, ate, and breathed tabloid TV shows. Kearns’ book has all the makings of a best-seller. It pulses and moves, and, like the medium it speaks of, presents us with a hook, teases us, and leaves us wanting more. As a former television show producer, I know many of the people Kearns writes about. Like myself, many in the industry will be nodding their heads in agreement, and the ones who won’t are those who will know they’ve been found out and that the jig is finally up. Throw away any other book you’ve ever read about television shows, and welcome to the real world of Tabloid Baby. It’s powerful, addictive reading, and despite the 500 pages to go through, I kept wanting more. Sequel?

Neal Travis, The New York Post
The navel-gazing that's going on at the TV networks right now will be enhanced by the publication of Burt Kearns' enthralling book, Tabloid Baby in which the veteran of shows like A Current Affair and Hard Copy reveals the M.O. of the programs that changed the way the medium covers news.

Steve Dunleavy, The New York Post
Con men, criminals, celebrities, politicians - all seemed to remain part of A Current Affair’s extended family, even when we beat them up. Burt Kearns, in his new book "Tabloid Baby," takes us on a delightful and raucous romp through that world. It was a world that will never be seen again. The wildest bunch of pirates imaginable. I know because I was there. In eloquent if sometimes brutal prose, Kearns, a senior producer on the show, unmasks all the usual suspects, which would guarantee that Tom Brokaw wouldn't let himself be buried in the same cemetery as any of us. "We'd taken television to a delirious and dangerous edge," Kearns writes. In varying doses of scandal, celebrity, crime, politics and morality, the tabloid television tales riveted a nation for a decade and Kearns grabs it all in print. The title of the book, "Tabloid Baby," tells you how it all went full circle until Kearns goes respectable, marries beautiful British TV anchor Allison Holloway and has a lovely son called Sam. All wrapped up in Los Angeles suburbia. Those wedding bells are breaking up that old gang of mine. Of course, I normally would have sued the son-of-a-gun for what he wrote about me, but I can't - it's all doggone true.

Frank DiGiacomo, The New York Observer
In the opening pages of Tabloid Baby, television producer Burt Kearns’ memoir about the rise and fall of tabloid television, he writes that New York Post reporter Steve Dunleavy, "the ageless legend with his silver pompadour, eagle beak profile and rakish charisma, was the paragon of everything that made journalism romantic and dangerous. He was friend to cops and criminals, bums and kings. He knew the words to any show tune you could toss at him." And then Mr. Kearns gets to the point: "Dunleavy, it was said, would fuck anyone, do anything–fuck anything–for a story." In journalistic parlance, that is the nut graph to Mr. Kearns’ first-person account of his immersion in the sweaty, up-all-night 120-proof world of tabloid television that media mogul Rupert Murdoch brought to America when he imported a band of Australian "wild pirates," as Mr. Kearns referred to them in a phone interview, to run the American TV and media properties that he had purchased… Indeed, if the book justifies anything, it’s that Mr. Dunleavy deserves his title as the Keith Richards of tabloid journalism.

The Sunday Age, Melbourne, Australia
Young enough to be Steve Dunleavy’s son, Kearns arrived in New York City from a sleepy suburban newspaper the night John Lennon died, and elbowed his way up in television newsrooms before getting his big break—working with Dunleavy and several other Australians to set up the hugely successful tabloid show A Current Affair. It was a rollercoaster ride, and prompted Kearns to write a book about the era—a rollicking number called Tabloid Baby. It’s during the launch that he coins the Keith Richards line about his old mate, whom treats as a loveable but eccentric uncle. There’s plenty more where that came from, in the book.

The Australian, Sydney, Australia
“What’s wrong with you?” my wife asked, as I lay in bed on Saturday morning, recharging the batteries, laughing, chortling and giggling. I was just reliving a part of my past, utterly engrossed in Burt Kearns’ book, Tabloid Baby. It tells the rip-roaring, devil-may-care, booze-fueled story of the explosive rise of tabloid TV in the U.S. Kearns tells it all in a vivid, brutally honest account that is riveting, funny, yet ultimately sad. Not only do the central characters fall, one by one, victims of booze, fatigue and Hollywood politics, but so does the genre itself… In a sense, Tabloid Baby is a tabloid history of tabloid itself; a potted, bovrilized, cut-to-the chase story about a ten-year TV subset of the wider newspaper genre that grew, blossomed, and wilted within the 20th century… The tabloid era maybe well behind us now, but that’s why Tabloid Baby is such a good read—it’s pure nostalgia; a portrait of the way we were, for those who may prefer to forget…

Ed Breslin, Seek Books Update, Seekbooks.com
Tabloid Baby provides as much high-octane entertainment as any Hollywood expose, and, in the bargain, it concerns a very serious subject, and sheds a sharp light on it: the nature of journalism at the dawn of the millennium. Every big news story of the 80s and early 90s is showcased in here. What’s more, Burt Kearns proves the old journalism adage that the story behind the story is often the best story. All of these guys would have attacked the Great Wall of China with a safely pin if a great story had been on the other side. Reading about them in Tabloid Baby, you feel that Burt Kearns has done for them as marauding journalists what Robert Louis Stevenson did for pirates in Treasure Island.

Connie Martinson Talks Books (PBS & Beverly Hills Courier)
Burt writes like a young Harold Robbins, fast paced, character descriptive and true situations that do not always speak well of the teller. It is, as Burt says, an uncensored account of the revolution that gave birth to 21st century television news broadcasting. Burt’s story of office politics from A Current Affair to Hard Copy is riotous.

LA Weekly
The best parts of the book are his candid confessions of the sleazy tactics — ranging from stealing a Joey Buttofuoco tape off a New York satellite feed to copying the infamous Rob Lowe sex tape off an Atlanta television screen— that got him into trouble. Kearns also pops off some good caps at pompous media figures, including Jeff Greenfield, who greeted a tabloid cameraman who baited him during the O.J. trial by saying, “This is the kind of lack of civility that I really think is unfortunate.” And the boozy, Vegas-stomping, strip-club-hopping, Sammy Davis Jr.–fawning life he describes, in vomit-in-the-office-trash-can detail, is emulated by mainstream media personalities today.

Tim Blair, The Australian
Kearns's book is a brutal chronicle of how exposure to the Australian tabloid ethos drove him to the brink of alcoholism.

News of the World, London
TV boss confesses… Sensationally!

The Jerusalem Post
A lively, compulsively readable account of his experiences as a producer at the American tabloid television shows A Current Affair and Hard Copy!

The Hartford Courant
Kearns relates dozens of raucous adventures in his new memoir, Tabloid Baby. It's a rollicking remembrance that romanticizes tabloid TV, as if the shows A Current Affair and Hard Copy were Hearst and Pulitzer battling over the Spanish-American War in the early days of yellow journalism. Kearns, however, suggests that the respectable press has always overstated the differences between itself and the tabs. To him, a tabloid story is simply one with a lot of emotion, real characters and a moral at the end -- a story with all the elements and drama of real life. He's started a new Web site -- tabloidbaby.com -- that promises links to the best tabloid stories of the day, and he revels in how they come from places people might not expect, like The New York Times, the Los Angeles Times and the Dallas Morning News.

The Malibu Surfside News
Tabloid Baby is as entertaining a read as the television shows it describes. The book chronicles the last great communication revolution of the 20th century, providing a behind-the-scenes look at the birth of a new approach to network news.

The Palisadian-Post, Pacific Palisades, CA
We cannot print the title of Chapter 4, but Kearns’ new book Tabloid Baby features detailed accounts of scandals involving Rob Lowe, the Kennedys and everything else he covered during his decade in tabloid television. Producing for A Current Affair and later Hard Copy, Kearns did anything, sometimes resorting to illegal measures, to get the story. Kearns never claimed that such stories were vital information to American viewers… To him, the torrid tales served a much different purpose: humor.

Victor Neufeld, executive producer, ABC News 20/20
I enjoyed the book a lot. I am a closet "Current Affair" aficionado here at ABC News… although some of what I learned happened at the program from reading the book I trust would never happen here!

The Web Page, TV Guide
A hilariously scandalous account of the birth of tabloid TV!

Salon.com
Tabloid television isn't dead. Shows such as A Current Affair and Hard Copy that thrived on news, gossip and scandal and brought the world dramatic reenactments and hidden-camera scoops were simply made redundant. Burt Kearns was a producer on both of those shows. To hear him tell it, tabloid TV simply morphed into network news magazines, syndicated talk shows, ceaseless cable "news" coverage and those morning programs where the men all wear sweaters and the coffee is decaffeinated.

The Chattanooga Times & Free Press
Do you remember when the national news shows were serious, dull and only watched by your parents who felt some obligation to turn it on before dinner? Do you remember when all that changed? During the '90s, the lines that once divided real news, real life and real entertainment were completely erased and replaced by a TV gumbo that includes cop shows, paramedic shows, judge shows and more news magazines shows featuring real people than there are real people. Burt Kearns was there at the beginning, and he has written a book about tabloid TV and its rise to prominence and eventual merger with "real news." Tabloid Baby is the story of how shows like A Current Affair and Hard Copy, with their behind-the-story stories of real people, went from industry joke to industry leader to the industry norm…

The Trumbull (CT) Times
At times his life sounds as if he escaped from one of those old-time movies such as The Front Page, about newsmen who planned stunts, lied, stole stories and would do anything to get The Big Story first!

The Daily Grind, Radiodigest.com
One of the most popular radio show guests the last week or two has been Burt Kearns, author of the tabloid TV memoir. Has he got stories!

Barry Farber, nationally-syndicated radio host
Burt Kearns is one of the early revolutionaries who changed television forever and put it between the covers of Tabloid Baby. He didn’t only write about it, he lived it. He made that particular piece of TV history happen!

Art Bell, nationally-syndicated radio host
A great book!

Bill Diehl, ABC Radio Network
You ruffled some feathers with this book. You named names—you didn’t pull any punches!

Joey Reynolds, WOR’s nationally-syndicated radio host
An excellent book. I want everybody who listens to my show to buy this book. You’ll love it!

Nick DiGilio, WGN Radio, Chicago
Bridges have been burned like you would not believe with this book! It’s incredibly entertaining. You’ll rip right through this book. Very entertaining—and honest. Boldly honest.

John Carney, KMOX Radio, St. Louis
Opens up the world of tabloid television as you have never seen it!

Paul Harris, KTRS Radio, St. Louis
Burt has great stories in his tell-all book!

Bill Handel, KFI Radio, Los Angeles
I was riveted. The stories don’t stop. They are incredible! This fun book gives you a glimpse of how influential TV is and who the players were at a really fascinating time in media history. The behind-the-scenes accounts are absolutely hilarious. The folks involved are often funny, smarmy, and sometimes even pretty likeable.

Karen Grant, KSRK Radio, Monterey
Tabloid Baby really is a hoot!

Ross Stevenson, 3AW Radio, Melbourne, Australia
What a ripper book! I bought a separate copy for the programme director. He too declared it a beauty. A great read. Well done!

Chaunce Hayden, Eyada.com
It’s a great book! I swear to God, Tabloid Baby is the real deal. No one has the balls to write what he wrote, knowing the consequences. And he knew what would happen! I think Burt is the best tabloid journalist in America!

George Pennacchio, Hollywood Wrap Weekend, ABC-TV News
Explicit! Author and former TV tabloid producer Burt Kearns writes all about the rise of tabloid TV in a book guaranteed to cause a scandal!

Caslon Analytics, Australia
A tabloid-flavoured expose of the birth of the Fox television network. It replaces Alex Block's Outfoxed: Marvin Davis, Rupert Murdoch, Joan Rivers & the Inside Story of America's 4th Television Network!

Willamette Week, Portland, Ore.
Hilarious exposé of the news we love to hate!

Steve Powers, Ph.D., co-author, "How To Watch TV News"
An insightful, incisive, and revealing history of the last television revolution of the twentieth century. With his combination of detailed reporting, novelistic approach and raw honesty, Kearns spins a compelling, rousing adventure that takes the reader behind the scenes of the decade’s most important as well as most sensational news events. This is the first and best insider account of a movement that changed the face of television news.

Jonathan Vankin, MediaNews Extra!
Good reading for journalists. A three-fisted insider's account of the early days of tabloid TV!

John Austin, Hollywood Inside Syndicate
Tabloid Baby could even be considered ”The Front Page” of the millennium, the “Boogie Nights” of journalism. We found it to be an utterly fascinating look at tabloid (TV) journalism that we didn't even know existed. Kearns has revealed more "dirt" than we expected. Celebrities, we are sure, will not like being exposed by such an "inside source"- nor will other members of the media. From our inside knowledge of tabloid journalism after thirty five years in the newspaper & TV business, we can assure you that Kearns has given us a really realistic account of what goes on. Believe us, this book is undeniably true and authentic. You can be rest assured that you, the reader have been given the obvious advantage of reading about the people, the drinking, the sex, the drugs, from someone on the inside who lived, ate, and breathed tabloid TV.

Anita Talbert, E! Entertainment TV & syndicated gossip columnist
A fantastic compendium of the history of Tabloid TV-- from a man who lived it. Stars better be braced! Kearns is sparing no expense on anyone and no one is safe. It is 500 pages of scathing tell-all right from the horse’s mouth… all the behind-the-scenes scandals that have never seen the light of day. Right now there are lots of celebrities squirming in discomfort. Between this book and Heidi Fleiss’s memoirs, no one in this town is safe!

Dr. Franklin Ruehl, Ph.D., cable TV show host
Tabloid Baby earns my highest commendation. It reveals the innermost secrets of the world of tabloid television like no other book!

Carol Vitale, The Carole Vitale Show
We are in love with this book, Tabloid Baby. Never a dull moment!

John Cluckie, Under the Covers with John Cluckie
This book is fabulous! It’s full of celebrity sleaze and scandal and gossip. A must read!

Linn Taylor, Screentime Access, Sydney, Australia
A rip-snorting, page-turning, knee-slapping trip down television's memory lane--the good and the bad--written by a talented wordsmith who lived through the era--helped shape it--and came out alive! If you've ever wondered how television is made--look no further for a reference book!

Brett Hudson, star of CBS’s Hudson Brothers Show
This is one of the best books I have ever read! Burt Kearns is the author of the millennium. Having been in show business my whole life, I can honestly tell you that Mr. Kearns has written the "behind the scenes" truth of the television industry. Tabloid Baby is a winner. I can't wait to see the movie!

Luke Ford, lukeford.net
An absorbing book!

Jan Thomas, Good Evening Norway TV
Entertaining and funny! Very funny! Read this and find out what’s going on behind the scenes!

Eames Yates, Emmy Award-winning documentary filmmaker
Tabloid Baby tells a truth that I have demanded from myself and others. It is a brave and daring look at those who have given their lives, their families, their fortune and their health to bring to the American people the stories that tell them who they are, what they are, and why they are.

Joe Hamill, Court TV
This book is nothing less than an underappreciated masterpiece. Cast as a memoir, it is also, perhaps, the most densely-packed and exhaustive inside history of the phenomena of Tabloid TV during its reign.

Michael Raffaele, author, "The Editor: Steps to Saving A Dying Newspaper"
Tabloid Baby was TREMENDOUS. It is a breath of fresh air and should be taught in J-Schools (and bars) across the country.

Rafael Abramovitz, legendary Tabloid TV correspondent
Burt Kearns is a very lucky man. Because best friends don’t sue!

Tuesday, August 01, 2006

McDermott Search: Back to Square One?

The media is obsessed with sad Mel Gibson, whose alleged anti-Semitism was ingrained by a demented father who moved his family from America to Australia after winning on Jeopardy.

But the bigger story evolved in the Malibu compound of another Australian entertainer, just down the PCH from where he was arrested…


What happened to the search for Patrick McDermott?

The mysteries beyond the walls of Mel Gibson’s Malibu neighbor have only deepened since an Australian news reporter used our clues to search for Olivia Newton-John’s alleged boyfriend, and the syndicated infotainment show Extra apparently played a cruel trick on viewers and fans by using the momentum of the case to violate their trust with a cynical publicity stunt.

It’s been thirteen months since McDermott disappeared from an overnight fishing trip, and approaching a year since the journalists who created Tabloidbaby.com returned from the Coast Guard station in San Pedro, California to produce the first television reports on the case and the bizarre fact that Newton-John had neither reported her alleged lover missing nor acknowledged the possibility that he could be alive and in peril.

It’s been six months since Tabloid Baby reported exclusively that McDermott was believed to be alive and had been seen in an around the remote town of Todos Santos in the Baja region of Mexico.

It’s been two months since Australian reporter Nick Papps followed our lead and reported from Todos Santos that McDermott had been spotted with a female companion and may still be in the area.

It’s been six weeks since the syndicated infotainment show Extra piggybacked on Papps’ scoop by sending a private investigator and “PI cam” (instead of a journalist) to Todos Santos to retrieve a visor reportedly worn by McDermott, trumpeted an “exclusive” ingvestigation and promised its viewers that it would send the hat out for DNA testing.

It’s been four weeks since Tabloid Baby reported that Extra had not done any reporting all, but had been handed the hat and interviews by intrepid local reporter Kathy Aviles, who kept a detailed journal of the McDermott timeline on her newspaper’s website.

It’s been three and half weeks since we reported that Extra’s McDermott “investigation” was merely a ratings-seeeking stunt, and that its producers had returned the McDermott visor to Todos Santos—without DNA testing and quite possibly contaminating the evidence.

It’s been a week and a half since Kathy Aviles’ McDermott journal was removed from the El Mirador website.

So it appears the search for Patrick McDermott is at a dead end. Or is it?

Extra’s top producers have refused to respond to Tabloid Baby’s requests for an explanation about the show’s actions in the McDermott case, or whether the show is part of a cover-up (Extra is a Time-Warner property; Newton-John records for Time-Warner).

Nick Papps has moved on.

Kathy Aviles will not say why her McDermott journal has been removed from the Internet. But she has offered it on request.

The U.S. Coast Guard considers McDermott’s case to be “open” and is keeping at least one investigator on the case. However it is unlikely to expend much manpower to bring him back to face comparatively minor “deadbeat” charges (though in wake of the life insurance policy reportedly left to his son, fraud could be a possibility).

Throughout this period, the only other journalist who did a full, unbiased search for the truth in this case was veteran producer and writer Michael Lynn, whose E! True Hollywood Story on Newton-John got him as close to an answer as lawyers would allow.

Who will pick up the pieces and find the truth about what happened to Patrick McDermott. The Tabloid Baby has at least one award-winning journalist and producer who is champing at the bit for a chance to do it (and he’s not Tabloid Baby’s author or our man in Israel, but another veteran newsman whose instincts and abilities hold our editor in awe).

Mr. Murdoch? Think of the cross-promotional possibilities.

Extra? Why not hire him as a freelancer? He’ll even bring along the Extra PI cam.

Wednesday, December 08, 1999

Salon.com: Tabloid Nation


The man who produced "Hard Copy" and "A Current Affair" remembers the gory, golden age of trash TV.




Tabloid television isn’t dead. Shows such as “A Current Affair” and “Hard Copy” that thrived on news, gossip and scandal and brought the world dramatic reenactments and hidden-camera scoops were simply made redundant.

Burt Kearns was a producer on both of those shows. To hear him tell it, tabloid TV simply morphed into network news magazines, syndicated talk shows, ceaseless cable “news” coverage and those morning programs where the men all wear sweaters and the coffee is decaffeinated.

“When I want to watch my tabloid stories now,” says Kearns, “I’ll watch the ‘Today’ show. There’s no better tabloid team than Matt Lauer and Katie Couric.”

This may come as news to anyone who thinks tabloid TV was, in its purest form, all about Elvis sightings and ax murders. But for Kearns, who is in New York promoting his book “Tabloid Baby,” an amusing if somewhat self-serving account of his years in the business, most people just don’t get it. And that includes many of the programmers who imitated and co-opted the brass-tacks style of his early shows. “Nobody is covering those stories the way we covered them,” he complains. “They’re doing it the network way. They’ll do a story on a UFO cult and cut to Keith Morrison at NBC and he’s rolling his eyes. They still look down on people.”

Kearns doesn’t look that different from any number of Los Angeles TV producers. An affable, good-looking man in his early 40s, he’s talking to me between appearing on a panel on tabloid TV and doing a radio interview. Appropriately, he has chosen Langan’s — an Irish bar in midtown Manhattan frequented by New York Post writers — for our interview; so much of “Tabloid Baby” (which covers the period from Kearns’ 1989 arrival at Fox’s “A Current Affair” to the cancellation of Paramount’s “Hard Copy” earlier this year) floats by on a sea of vodka. And Steven Dunleavy, a Mephistophelean character in Kearns’ book, writes a column for the Post now. In fact, during the interview he appears at the bar as if conjured and signals the barman for a refill while lighting a Parliament.

“Joey Adams died today,” says Dunleavy solemnly in his Aussie accent. He’s wearing a corduroy jacket that nearly matches the color of his tan, and he sports a Porter Wagoner-style pompadour.

“No shit?” says Kearns. Adams, husband of Post gossip columnist Cindy Adams and aggregator (if not author) of a million one-liners, had been ill for some time. “Cindy was supposed to be on this panel with me last night but said she had family business.”

There is a beat before he adds: “At least it was a real excuse.”

With its hard drinking and quick cynicism, the world that “Tabloid Baby” limns is a sort of throwback to yellow journalism’s days of yore. “In the worldview of ‘A Current Affair,’” Kearns writes, “people didn t insult the Church, and sex was naughty — the word unsaid, only spelled out, S-E-X — values needed to be upheld, and all offensive images needed to be shown in as explicit detail as the lawyers would allow.”

This combination of titillation and hypocrisy was imported from Australia by Rupert Murdoch, who staked his claim to the States when he purchased 20th Century Fox and the Metromedia TV stations in the mid-’80s and formed the Fox Broadcasting Corp. And when he needed news magazines, he didn’t look to “60 Minutes” as a role model. He called on some of the same Aussie journalists who had reinvented the print tabloids for him there — men like Dunleavy and Peter Brennan.

It is Brennan whom Kearns credits with splitting the atom of the tabloid-TV formula. “Now, you get back from a story, what happens?” Brennan would ask his charges. “You talk to people. You go to a bar and your friends say, ‘What were they really like? What really happened?’ If you give an answer that wasn’t in the story, if the viewer or your mother can ask what the people in your story are really like, you’ve told the typical television version of the story. ‘A Current Affair’ tries to do the story between the lines and turn it into lines.”

For Kearns, who came to Fox from WNBC, this new way of reporting was liberating. “In the so-called legitimate news,” Kearns tells me, “the idea was to make sure you have the same story everyone else does and make sure you cover it the same way, and make sure you have what everyone else has. With ‘A Current Affair,’ you’d walk in each morning and say, ‘What’s the most interesting story going on right now?’”

And according to Kearns, they didn’t take their lead from the supermarket tabloids, either. The “Current Affair” staff scanned hundreds of newspapers for offbeat stories. They broke a map of the United States into five sections, like the five boroughs of New York, and assigned reporters to cover each. And, OK, they pissed off a number of celebrities in the process.

“It was never journalism,” Kearns says of what they were doing. “It was what the Australians would call a piss-take on journalism.” And it was much safer — and more just — to “take the piss” out of public figures like Steven Spielberg, whose divorce from Amy Irving got the “Current Affair” treatment, including clips from “Jaws” that equated interloper Kate Capshaw with Bruce the Shark. This resulted in a phone call from Spielberg to Fox studio head Barry Diller, which Kearns interprets as follows:

“Hello, Steven!”

“Barry, if I live to be 90, I will never do a movie for Fox.”

Kearns estimates that cost the company around $500 million.

In an effort to infuse the show with some semblance of respectability, Murdoch sent Anthea Disney to police the troops. Disney had worked her way up through the ranks of Murdoch’s empire, starting as a Fleet Street reporter. She cultivated a tough-cookie persona (I worked for her myself at another venture) and she put the “Current Affair” staff on notice. She told Variety that she was under orders to make the show “more New York magazine and less New York Post.” Kearns, who had advanced to executive producer, saw the writing on the wall and resigned to go to Hollywood and join the rival tabloid show, “Hard Copy.”

Disney is one of many who may not be pleased at how they are depicted in “Tabloid Baby.” Her stated desire to class up “A Current Affair” clashed with some of the excesses that occurred on her watch — most notably Steve Dunleavy’s payment to a witness in the William Kennedy Smith trial. (The $40,000 he paid to Anne Mercer, who drove Smith’s alleged victim from the Kennedy mansion that night, caused Mercer’s testimony to be discredited. “I have to thank Steve Dunleavy for what he did with Anne Mercer,” Smith’s attorney said when his client went free.)

Kearns is not above floating a few old rumors about Disney’s marital problems and personal life in his book, and says that she tried to keep it from getting published. “She was running HarperCollins at the time,” he says. “She’d seen the book. It went to her company. She didn’t want it published. I don’t hold that against her.”

“Bullshit,” says Disney, who is now vice president of content at News Corp.  “I never saw his book and wasn’t aware that it came to HarperCollins. It makes a much better story to say that someone tried to stop your book than to say that no one wanted to publish it.”

The Kennedy Smith saga was a “Hard Copy” exclusive at first; “A Current Affair” and “Inside Edition” tried to take the high road. “And the network guys didn’t understand that it was news,” says Kearns.

“Shows how wrong they were. And it showed how little sleazy tabloid stories can turn into news. It ignited the whole debate on date rape, naming the victims in rape trials.” (It’s worth noting that the New York Times was one of the first papers to identify Smith’s accuser by name.) “And then, months later, when Clarence Thomas was up for the Supreme Court judgeship, and he got involved in the thing with Anita Hill, Teddy Kennedy, the great voice of liberalism, couldn’t open his mouth because he’d been shamed in this case.”

One could argue that almost any Kennedy story can be made into tabloid fodder without turning the dial too far, what with that big back story of family tragedy and misadventure. The first real crossover tabloid story of the ’90s broke on May 10, 1992, when Amy Fisher shot Mary Jo Buttafuoco in Massapequa, N.Y. It had all the elements of a true-life soap — the clueless wife, the loutish Lothario, the mystery vixen — save one.

“There was no one in the story you could feel sorry for,” says Kearns, “no one that you could identify with. In every tabloid story there is one character — you see [the story] through that person’s eyes, you identify with that person. In the Buttafuoco story you couldn’t identify with the victim.” As the story morphed and grew, with new revelations every week and more and more perfidy captured on tape, the nation reached saturation. Even People magazine now seemed to subsist on the “Long Island Lolita.” We had become a tabloid nation.

O.J. Simpson, of course, gave us victims we could identify with and a slow train wreck of a trial that was virtually inescapable. The “tabloid babies” of Kearns’ narrative had crossed over to the networks (even as some network people went in the other direction). The first time “Nightline” covered the murders, five days after Nicole Simpson and Ron Goldman were killed, Ted Koppel apologized; when the ratings went through the roof, he quit saying he was sorry.

Soon it was all O.J., all the time, from Regis and Kathie Lee in the morning to Jay Leno jokes at night. The trial itself took center stage and tabloid TV as practiced by Kearns and company seemed downright quaint. “When the world was watching from their offices live,” he says, “we were repackaging it with alliteration and music — who needs that shit?”

Today, in place of “Hard Copy” and “A Current Affair,” we have “Dateline,” “60 Minutes II,” “20/20″ and “48 Hours” — and that’s just on the networks. Kearns wrote some pilots and cast about for a new project.

His collected notes came together in “Tabloid Baby,” which he is promoting now with the help of his wife, Allison Holloway, another veteran of the scene. He doesn’t come out and say that he couldn’t get arrested after a career in tabloid television, though he admits his prospects looked dim. His last project was for Fox: “When Pets Go Bad II.” I ask him how people come up with ideas like that.

“You walk into a room, it’s like the monkeys with the typewriters,” he says. “It’s full of video monitors and people are transcribing every piece of video in the world. And they might find they have 10 great pieces of video of animals attacking people — ‘When Pets Go Bad!’” Voila.

A lot of it is in the packaging — like that film of a donkey sexually assaulting a man whom the beast had found defecating in his pasture. “Fox has always wanted to air it but never could,” Kearns claims. “Every time someone presented it to them they would put on ragtime music and sound effects — ‘Boing!’ I saw it and was horrified. This makes ‘Oz’ look like ‘Touched by an Angel.’ It was horrific. So I played it very straight and put some scary music behind it — ‘This man is invading the territory of an animal …’”

For the holidays they had footage of a Santa being attacked by one of his reindeer. It was a reenactment, actually. The injured Santa was demonstrating how he’d been attacked, but things went badly. “He was screaming, ‘Help!’” Kearns recalls, nursing the last of his beer. “We thought he was doing it for the camera but, no, he was bloody. It rated very well.”

Sean Elder is a frequent contributor to Salon.