Well our Writers Guild of America strike may be coming to an end soon, but in its wake there will be niggling questions among us rank and file, like why the leadership got distracted trying to recruit reality television and animation writers in the middle of the action against the Alliance of Motion Picture and Television Producers, and why late night hosts like Jay Leno and Jon Stewart were given a pass to defy their union blatantly and continue to write monologues and sketches by scabbing, and getting help from scabs.Today’s New York Times touches on the latter subject with an odd article by Bill Carter, the chronicler of the late night wars and the one journo we'd expect to have the inside track on the late night show workings. The article about Jay Leno's ability to keep up his ratings and lead over Letterman despite the strike, leave sit a mystery as to how the host somehow manages to come up with something like two dozen fresh, topical jokes per night in his monologues:
"How does he do it?
"…Mr. Leno is performing the opening monologue, his show’s centerpiece, just as he always has, firing off joke after joke— 25 last Thursday alone for example. Many of the jokes were based on the Republican debate the night before. Others were more generic. But to most viewers they probably seemed indistinguishable from a monologue Mr. Leno might have given six months, or six years, ago.
"…Mr. Leno is performing the opening monologue, his show’s centerpiece, just as he always has, firing off joke after joke— 25 last Thursday alone for example. Many of the jokes were based on the Republican debate the night before. Others were more generic. But to most viewers they probably seemed indistinguishable from a monologue Mr. Leno might have given six months, or six years, ago.
"That has led to speculation about how he’s doing it. After all, the Writers Guild put out word that no new writing could be done during the strike. Mr. Leno met with the guild leadership before the strike and explained that he intended to perform a monologue he would write himself…
"That might not seem to account for 25 jokes a night, but Mr. Ludwin and others associated with the show say Mr. Leno’s three decades of work as a stand-up comic has been the biggest factor in those monologues.
"These associates say that Mr. Leno is pulling jokes from the deep pool of material he has used in his stand-up act, dropping in more generic — or just silly — jokes into his monologues... But he has also, the associates said, used his skills as a mechanic — Mr. Leno’s chief non-show-business passion is working on cars and motorcycles — to retool old jokes. One longtime writer said that Mr. Leno was taking lines he used about earlier politicians and refashioning them to involve contemporary figures.
"Some of Mr. Leno’s competitors still question how he is able to do this all by himself, night after night, especially while also darting off to stand-up gigs. Last Wednesday he flew to Phoenix for a Super Bowl-related performance after taping the show earlier that day…
We’d never have imagined that we’d have more sources in the late night world than Bill Carter, but from the start, we've been told by insiders that Leno is relying on the help of a few topnotch out-of-town jokewriters who fax, phone or email him gags every morning.
There are hundreds of these guys out there, pros who syndicate jokes to morning radio shows and late night show writing staffs alike (just do a Google search for “syndicated jokes” and you’ll get the idea)-- not mention comics on the road, stuck doing two nights at a HooHas in Cleveland, eager to win points from the Big Guy. Woody Allen got his start sending gags to Walter Winchell and Earl Wilson. Rodney Dangerfield would buy “no respect” one-liners for $25 to $100 each.
Weird middle-of-the-night Carson Daly got a lot of stick for seeking jokes from his pals; Leno is taking advantage of a Scab Nation, and just like any big corporation , he’s bringing in the scabs from out of town.
It’s unclear why Bill Carter is being coy, and odd that he left us to find the story between the lines.














































