1999-2010
Showing posts with label Rupert Murdoch. Show all posts
Showing posts with label Rupert Murdoch. Show all posts

Wednesday, October 13, 2010

Welcome to LA, Richard Johnson

Tabloid Baby pal Richard Johnson is leaving his job as editor of the New York Post's Page Six and moving to Los Angeles. Johnson has been at the helm of the most influential gossip column of our time for close to twenty five years, and a made a little gossip himself along the way while steering the column from the days of Sukhreet Gabel and Mark Gastineau. We'd have thought Johnson would have headed West fifteen years ago to become a television star, but he was to be respected as one of the last of the print guys. His skipping of the medium and move to a News Corp, "digital venture" signals the death of print gossip as far as we're concerned. Long live Jim Brady and Neal Travis.

Click here to read Richard Johnson's goodbye to New York. Last line:

In the words of J.J. Hunsecker, "I love this dirty town."

Monday, October 04, 2010

Steve Dunleavy sighted in New York City


Tabloid legend Steve Dunleavy has been sighted in New York City, looking good-- and smoking!

Dunleavy (center) was with bigshot political and journalism pals at the Water Club Friday afternoon, when he was photographed with a pair of ageless tabloid television veterans who've each racked up legendary status of his own. Frank Grimes and Steve McPartlin reportedly bumped into Dunleavy as he was on his way outside for a cigarette.

Sightings of the NY Post columnist, formner editor, A Current Affair star and Elvis What Happened author have been few and far between since his retirement in 2008.

Tuesday, March 09, 2010

JB Blunck recalls Affair with Murdoch


The brave glory days of tabloid television are far behind us, but many of the original innovators, all pups when they changed the medium, journalism and the world, are still out there pushing new media forward from all different angles Among the foremost: Joachim Blunck, "JB" to those in the know, media entertainment professional who was among the core group of producers who created and launched A Current Affair in the 1980s. A key player in the book Tabloid Baby, the former Baltimore City Paper and Village Voice art director went on to play a key role in the development of the FX network and is recognized as an innovator in new media across the board, from independent filmmaking to web design.

Long based in Los Angeles, JB was interviewed this week by old pal Russ Smith on Splicetoday.com. JB hits all the hot button topics of mainstream and new media, while also looking back on the days working for Rupert Murdoch in the tabloid television trenches:

ST: You worked for Rupert Murdoch for a number of years, with A Current Affair, Good Day New York and the FX Channel. How much interaction did you have with Murdoch and how much autonomy did he give you and your colleagues? What led to you severing ties with News Corp and do you regret it now?

JB: In my early days at News Corp it was still a relatively small company on the executive side. One of my many hats was to work at the corporate offices on a variety of things for Murdoch. I had my share of meetings and interaction, and got a good fly-on-the-wall view. It was during that time that I gained enough trust to be thrown into Fox with a couple Aussie journalists, and basically set loose to do whatever had to be done.


A Current Affair was the answer to Murdoch's request for an evening news show. Murdoch had considerable interest in our progress— he regularly spoke to us, and was present at a couple early, formative meetings— but the interpretation and execution was left to us. Peter Brennan was the editorial heart and soul of the show; I worked the visual style and got it to air. Sound familiar? We were housed at the Fox NY station, the former Metromedia WNEW. There was no help— we were Murdoch interlopers. I remember putting together equipment and people, spending what would become millions of dollars without regard for the internal accounting systems. The show went from concept to air in less than eight weeks. If anyone ever asked "by whose authority," I just said "Rupert." That was fun.

"People often think back
to A Current Affair

as tawdry and salacious,
when in fact
it was just
good tabloid reporting

with a twinkle in our eyes.
We were renegades
with a healthy sense of humor."

...In my time at News Corp I was never afraid for my job, and always felt supported. I left after moving to Los Angeles. New York was an oasis in the television system, and our distance from Hollywood and proximity to Murdoch made things easy. As long as we succeeded and delivered, we were left alone. In LA, everyone gets into your business and looks for ways to either piss on or co-opt your work. It wasn't fun anymore, and I had my fill.

ST: When A Current Affair started its buzz-meter was off the charts in New York, with personalities like Steve Dunleavy and others landing in the gossip columns and just a lot of excitement around the show. I imagine it was a rush to be a major domo on the show, if exhausting. What was the atmosphere like? Maybe like an extended coke/meth high or something different? And how do you look back on those Fox shows today? I see that you did the "Color Correction" for the film Outfoxed.

JB: Not drugs, but an awful lot of liquor. We had a phone extension installed in the bar across from the office. We were reinventing storytelling for television. No one had ever seen anything like it, and we were too naive to say no to anything that was suggested. We were renegades with a healthy sense of humor. It was very much the same outlaw mentality that we had at City Paper.

People often think back to ACA as tawdry and salacious, when in fact it was just good tabloid reporting with a twinkle in our eyes. If you got the joke, fine, if you didn't, at least you were entertained. In our first month we got a positive review in The New York Times! The reviewer got it. For the most part, so did the audience, and the rising ratings just fueled our daring.

"Murdoch is fearless
and incredibly smart.

He listens, considers, decides,
and often provides the initial idea
that fuels the machine.
He's the last of the old-time journos."


Aside from the preppie murder, Jim and Tammy Faye, and all the other big stories that we led with simply because no one else did (that changed, didn't it?), the one I remember with a laugh was the Peter Holm story. Holm was a dumb hunk of a Swede who was being divorced by Joan Collins. He sued for palimony in LA Court. We put together, in a day, a show (live to air at the time) that was a mock telethon to raise money for Holm. Our studio had been used for years for the Jerry Lewis Telethon when it came from New York, so in the rafters were phones, tables, chairs, risers, decorations, all the stuff you needed to do a telethon. We set up the studio with mock phone banks populated with celebrity lookalikes (and Cindy Adams), did a backdrop with a tote board that looked like a big thermometer (The Peter Meter), recorded tape packages with New Yorkers and what they would donate (a slum apartment, food from the trash, etc), ran a text zipper on the screen with amounts people were giving (all fake—Joan Carson $1000… Joanna Carson $10,000), and had the telethon portions of the broadcast hosted by one of our reporters in a tux.


Maury Povich, of course, would not lower himself to our descending levels, and hosted the "show" from his usual set. The show did include an actual package about the trial, but the capper was a satellite interview with Holm as he left court that day. He, of course, could hear our show in his earpiece between Q&A sessions with Maury. While a viewer would have seen the obvious satire, hearing the show interspersed with Maury’s conversation seemed to give a different impression. After the show was over I got a call in the control room from our producer in LA. Holm wanted to know how much money we'd raised.

ACA, Good Day, the FX shows and everything else all had the same sensibility. I had the time of my life. Of course, we begat a tectonic change in news. There are no more tabloid news magazines. Everything is just tabloid, and without the consideration and execution that we invented. News is now salacious and tawdry, and increasingly stupid.

Not much of a story with Outfoxed. I do color work on occasion to bridge between producing assignments. It was a four-day gig. The producers of Outfoxed made some good points, but on the whole they were as misinformed as everyone else.

ST: Do you follow the continuing acquisitions, plotting, subterfuge, etc. of Murdoch today, and do you think, as is commonly thought in some quarters, that he's an evil media force? Or, rather, an old-fashioned entrepreneur?

JB: Success breeds detractors. Murdoch succeeds. He is fearless and incredibly smart. It was always an eye-opener seeing him run a room. He listens, considers, decides, and more often that not, provides the initial idea that fuels the machine. In media, he's the last of the old-time journos.


Politics aside (and I think Fox News is awful), his moves in publishing were always copied, whether it was changing the game with the unions or using technology to further coverage and production. He's leading the charge to save what's left of real reportage. The Wall Street Journal and Harper Collins will be among the first on the iPad. Murdoch understands more than anyone that newspapers represent power, and that he and the rest of the industry failed to understand the impact of the Web. Unfortunately, his people screwed up MySpace. My impression is that the touchpad moves are being encouraged directly by him. Will it all work? Dunno.


Sunday, January 10, 2010

Everybody hates Roger (Ailes)


The New York Times reports in a front page profile that Fox News boss Roger Ailes is "at the pinnacle of power in three corridors of American life: business, media and politics... the best-paid person in the News Corporation last year..." and "the most successful news executive of the last 10 years."

That doesn't sit well with the new wife and adult children of Ailes' boss, Rupert Murdoch, as is stated clearly by Rupert's son-in law, the British pubic relations man Matthew Freud in paragraph 14 of the piece:

“I am by no means alone within the family or the company in being ashamed and sickened by Roger Ailes’s horrendous and sustained disregard of the journalistic standards that News Corporation, its founder and every other global media business aspires to."

And that says a lot!

(We remember Roger's when corporate machinations and needling led Rupert's son Lachlan to bolt the company in 2005, leaving Roger to take his job in charge of Fox stations and cancel the competitive revival of A Current Affair. Sounds like the Time article is notice of the war ahead as Rupert nears his eighties.)

Monday, December 07, 2009

MURDOCHS SPLIT??!!


Crikey reports. Rupert Murdoch's News Corporation outlets do not. Murdoch spokesmen will neither confirm nor deny. Rupert Murdoch and Wendi Deng have been married ten years (just like Tom and Nicole. Sorry, boss.).

UPDATE: We can't find the item on the Melbourne-based Crikey site, though others, including the Sydney Morning Herald, have referenced it.

Wednesday, August 05, 2009

Murdoch to charge for access to his news sites; Tabloid Baby "has no plans to charge readers for our exclusive content"



Rupert Murdoch said today that News Corp will start charging for access to all its news sites across his media empire.

“Quality journalism is not cheap,” Mr Murdoch said. “An industry that gives away its content is simply cannibalising its ability to produce good reporting.”


Murdoch was scant on details for such business models today, which could include online subscriptions, charging fees to read single stories and selling content on new platforms such as mobile reading devices. (We tried to read the New Yorker's Michael Savage article online today and found we had to be a paid subscriber. We'll findit somewhere else).

Tabloid Baby, which will soon announce major innovations on its web operation, has no plans to charge readers for our exclusive content.

Spokesman Sam Peters (above) said, "Mr. Murdoch is the innovator. If anyone's going to make the transition from print newspapers to the Internet age the boys here hav ebeen pioneering and make sure reporters get salaries, it'll be him. We'll see how the Boss fares and we know that once Murdoch starts charging, the days of free mainstream news sites on the Web will soon be over. But we'll be looking to advertisers, not the punters, to pay the bills."

Tuesday, November 04, 2008

Friday, October 03, 2008

When Steve Dunleavy wrote about Tabloid Baby


"I normally would have sued
the son-of-a-gun
for what he wrote about me,
but I can't-- it's all doggone true."

When Tabloid Baby was published in November 1999, New York Post superstars Steve Dunleavy and Neal Travis hosted a launch party for the book at Elaine's restaurant on the Upper East Side of Manhattan.

Duneleavy also appeared at numerous events to promote the book in which he was featured controversially-- and wrote the following review of Tabloid Baby for The New York Post.

It was published on November 14th, 1999.

Thanks again, mate.

MY FONDEST 'AFFAIR': WHEN WE WERE TABLOID-TV KINGS

By STEVE DUNLEAVY


JOHNNY Lester had just gotten out of the slammer after 13 years for canceling the ticket of a guy who insulted his wife.

He wasn't a victim of nightmares in his cell, but he thought he was witnessing a miracle when Rafael Abromovitz appeared at the bar room door.

"My God," Johnny exclaimed. "That must have been some operation to get Raf back on his feet."

On the television show "A Current Affair," Raf was always pictured sitting down at a word processor in various parts of the country.

"All the guys in prison thought he was disabled. We all felt sorry for him because we didn't know he could walk."

Johnny was typical of the crowd that surrounded "A Current Affair." Con men, criminals, celebrities, politicians - all seemed to remain part of the show's extended family, even when we beat them up.

Burt Kearns, in his new book "Tabloid Baby," takes us on a delightful and raucous romp through that world.

It was a world that will never be seen again. The wildest bunch of pirates imaginable. I know because I was there.

In eloquent if sometimes brutal prose, Kearns, a senior producer on the show, unmasks all the usual suspects, which would guarantee that Tom Brokaw wouldn't let himself be buried in the same cemetery as any of us.

Kearns sums up the spin when he describes being offered a job at CBS:

"There was something about CBS that didn't smell right.

"Something cultish in the way employees saw themselves upholding a sacred tradition, carrying out some grand mission to spread the CBS orthodoxy."

Well, Dan Rather we weren't, but more like a brazen bunch of bandits who ambushed, conned, begged, borrowed, bought and charmed to grab that story.

"We'd taken television to a delirious and dangerous edge," Kearns writes.

In varying doses of scandal, celebrity, crime, politics and morality, the tabloid television tales riveted a nation for a decade and Kearns grabs it all in print.

Like stories of the exclusive video of Robert Chambers, the "Preppy Killer," secured by Abromovitz, which wiped the networks' clocks.

And the sex tapes of brat-packer Rob Lowe, which bewitched millions although Kearns admits to hijacking the tape.

But if the elite networks turned their noses up at the menu, then shrieks of silence followed when they saw the "A Current Affair" SWAT team in action when the Berlin Wall came down.

The team, led by Kearns, consisted in part of Maury Povich, a class act, the giant Gordon Elliott, and scrappy reporter David Miller.

When the Rathers, Jennings and Brokaws saw Gordon Elliott climb the wall and then start chipping away with a pick ax as the cameras rolled, the networks knew who was doing the driving.

Kearns actually admits to a borderline kidnapping of a German from New York and a forced reunion with a brother in East Germany, who hated his guts.

"We were the f-ing champions of the world," Kearns exults in the book.

At the helm of the hysterical high-tension hijinx was the gentle genius producer Peter Brennan and executive producer Ian Rae. They were ably aided and abetted by a marvelous maniac called Wayne Darwen. Also on board was Scotsman Dick McWilliams.

The news room resembled something out of a rerun of Hildy Johnson's "Front Page."

The air was blue with language, political incorrectness and cigarette smoke. And while there may not have been a whiskey bottle in the bottom drawer, there was plenty of the stuff at the bottom of the stairs and across the road at The Racing Club.

The title of the book, "Tabloid Baby," tells you how it all went full circle until Kearns goes respectable, marries beautiful British TV anchor Alison Holloway and has a lovely son called Sam. All wrapped up in Los Angeles suburbia.

Those wedding bells are breaking up that old gang of mine.

Of course, I normally would have sued the son-of-a-gun for what he wrote about me, but I can't - it's all doggone true.

Steve Dunleavy's Last Column

October 3, 2008
The New York Post

I MAY BE GOING -
BUT I WON'T BE GONE


REAL men don't cry, but on Wednesday night if my eyes were dry, there was a Niagara cascading from my heart.


It was the occasion of my retirement at a monster bash at the Bourbon Street Bar and Grille in Midtown.

Perhaps I have made bigger decisions in my life, it's just that I can't remember when.

But when the bones get a bit creaky, you can't stay at the dance too long. So with a thousand moments of doubt, I regretfully decided to put my cue in the rack.

When you are 55 years in the business, 41 of those years working for the greatest news organization in the world, parting is not just sweet sorrow. It can be bloody torture.

Sure, when I made the final decision, I was awash in self-pity and doubt - that is, for just about a nanosecond.

Suddenly, you compile the camaraderie, the laughs, the exhilaration (with a few spills along the way), and you scold yourself for not realizing that you are not completing- but beginning - another chapter in a wonderfully happy life.

This company has sent me from Bogota to Baghdad, Lima to London, Kentucky to Kabul, Tampa to Tel Aviv.

How lucky can one guy be? How lucky to go into retirement with all that behind you.

I never spent a single hour at Columbia School of Journalism, except when I gave a lecture to journalism students - and I was about as popular as a fire hydrant at the Westchester dog show.

It's only those who are lucky enough to work for Rupert Murdoch who know what I am talking about.

This organization is filled with news hounds, young and old, guys and gals who take their jobs pathologically seriously - but, heaven forbid, don't take themselves seriously.

In my day, a misguided era in which the job was consumed by booze, tobacco and carousing, perhaps we were a little (little?) wilder, but the result of victory in the pages of the newspaper was the same.

Of course, then to atone for our sins, my friend and colleague Piers Akerman in Sydney says, "Forgive us our press passes." All of it has made me a pretty happy fellow.

Oh, yeah, I will miss those great cops and firefighters, the nutty judges and politicians and the criminal lawyers who were more colorful than an explosion in a paint factory.

And, of course, I will miss that great crew of the media militia - the reporters at The Post. And the leader of this wonderful far-flung empire, the boss.

Now I promise you, this is not goodbye. I promise you I'll be around to continue doing what I do best, being a pain in the rear end.

New York Post editorial honors Steve Dunleavy

The New York Post
October 3, 2008

THE DUNLEAVY DIFFERENCE

After a newspaper and television career spanning 55 years, including some three decades at The Post, our friend and colleague Steve Dunleavy has hung up his notebook.

Not that the hyperkinetic Dunleavy hasn't earned a rest - though a truly retired Steve is hard to imagine.

Joining The Post in 1977, he's been a reporter, an editor and a columnist.

Readers across the five boroughs came to love his no-nonsense columns - but none more so than the members of New York's uniformed services, especially its cops and firefighters.

He did more than cheer them on in print: He raised money for the families of officers killed in the line of duty. Indeed, as Police Commissioner Ray Kelly said at a packed farewell bash Wednesday night, "He was always there."

Dunleavy never talked down to his readers, nor did he lecture them.

All he ever wanted to do was tell a story. And that he did - simply, clearly and effectively.

Which is why he was always able to do what too few in this profession can: He connected with his readers.

So Steve Dunleavy's colleagues wish him a long and happy retirement.

He had a hell of a ride.

Thursday, October 02, 2008

Dancing in the Dark a highlight of Dunleavy bash



The retirement party for journalism legend and culture icon Steve Dunleavy was an affair crowded with the greatest figures in modern-day journalism, from Rupert Murdoch to The National Enquirer's Barry Levine, Jim Brady to Peter Brennan. And Murdoch, Levine and Brennan spoke tribute to the legendary Dunleavy, at the bar of the Bourbon Street Bar & Grille on West 46th Street, along with New York City police commissioner Ray Kelly, a fireman, a priest, Maury Povich and Col Allan, editor of the New York Post. The entire two-floor establishment was packed with journos who'd journeyed from as far as London, Hong Kong, Los Angeles and Sydney to be there to pay tribute to their mate while he was still standing.



The highlight of the evening was a special video tribute including comic bits from the likes of Maury and wife Connie Chung, and greatest hits of Dunleavy's storied career. And who would have thought the finale of the video tribute was our own video tribute Dancing in The Dark, that was received with loud cheers, and later played on its own on flatscreen sets around the restaurant.

Dunleavy's dancing on the video was so graceful and athletic that more than one attendee, including Page Six editor Richard Johnson, asked whether a stunt double had been used.

Wednesday, October 01, 2008

Steve Dunleavy Tabloid Master Class Part 6: What can be learned from his infamous TV brawl with Michelle Cassone



Journalism legend and cultural icon Steve Dunleavy wrestled a bear on A Current Affair.

He also wrestled Michelle Cassone, who implicated Sen. Edward Kennedy in his nephew Willie's 1991 rape case in Palm Beach, Florida.

Steve talks about the story behind fracas above.

(From the Tabloid Baby-Frozen Pictures production: Steve Dunleavy: The Man and His Music.)

Steve Dunleavy Tabloid Master Class Part 5



On the occasion of his retirement, journalism legend and cultural icon Steve Dunleavy will be feted by Rupert Murdoch, friends, colleagues, admirers and competitors at a party in Manhattan this evening.

In celebration of his influential career, we continue with Steve Dunleavy's master class on tabloid journalism.

This morning's lecture is entitled:

"All's Fair in Love, War & Newsgathering."

More to follow. Stay tuned here.

(From the Tabloid Baby-Frozen Pictures production: Steve Dunleavy: The Man and His Music.)

Tuesday, September 30, 2008

Steve Dunleavy Tabloid Master Class Part 4



We continue our special presentation of journalism legend and cultural icon Steve Dunleavy's master class on tabloid journalism.

This morning's lesson:

Aussie rhyming slang.

Steve's being feted by Rupert Murdoch at a retirement party tomorrow night.

This is the place where we're cutting through the jealousies and politics show why Dunleavy is so influential. And so good.

More lessons to follow. Stay tuned here.

(From the Tabloid Baby-Frozen Pictures production: Steve Dunleavy: The Man and His Music).

Steve Dunleavy Tabloid Master Class Part 3



Journalism legend and cultural icon Steve Dunleavy talks about objectivity in this special master class on tabloid journalism.

Rupert Murdoch and The New York Post are throwing Dunleavy a retirement party on Wednesday.

More lessons to follow. Stay tuned here.

(From the Tabloid Baby-Frozen Pictures production: Steve Dunleavy: The Man and His Music).

Monday, September 29, 2008

Steve Dunleavy Tabloid Master Class Part 2



Journalism legend and cultural icon Steve Dunleavy continues his master class on tabloid journalism with his thoughts on the elements of a good story.

More lessons to follow.

Stay tuned here.

(From the Tabloid Baby-Frozen Pictures production: Steve Dunleavy: The Man and His Music).

Sunday, September 28, 2008

Steve Dunleavy Tabloid Master Class Part 1



They're throwing Steve Dunleavy a retirement party in a saloon on West 46th Street Wednesday night. Time to cut through all the spinners-- the snarky gawkerstalkers, hoity-toit print libs and twenty five-dollar-haircuts-on-twenty-five-cent heads who read the network Teleprompters-- and understand why the man who wrote Elvis What Happened? is so beloved, so important and so influential.

Heck, most of you only know Paul Newman from the supermarket shelves.

So begins a master class in tabloid journalism from the master.

More lessons to follow.

Stay tuned here.

(From the Tabloid Baby-Frozen Pictures production: Steve Dunleavy: The Man and His Music).

The New York Times praises Steve Dunleavy


In tomorrow's (Monday's) paper:

A 'Tabloid Guy' Calls It a Night
After 41 Year With Murdoch


By TIM ARANGO

Published: September 28, 2008

There are so many stories about the life and times of Steve Dunleavy, the longtime New York Post columnist and even longer-time Rupert Murdoch acolyte, that some, inevitably, have evolved over the years.

Many of the tales involve copious amounts of alcohol. But not this one. It goes like this: As a young copyboy in Australia 55 years ago, Mr. Dunleavy was so hungry for a story that he popped the tires of his father’s car at a murder scene. His father, a photographer at a rival paper, could not get to the post office to transmit photos, and Mr. Dunleavy, then about 15 years old, earned his paper a big scoop.

That is how Mr. Murdoch remembers it.

Mr. Dunleavy tells a different version. Yes, he punctured the tires of a car, but it was owned by his father’s newspaper and he did not know his dad was there. And it was not a murder but the story of a group of missing hikers.

“That story gets told and told, and each time it gets a little bit more whiskers on it,” Mr. Dunleavy said.

After 55 years in journalism — 41 of them spent working for Mr. Murdoch — Mr. Dunleavy is seeing the curtain come down on his career. He has been an unabashed friend to police officers, firefighters, civil servants and the occasional mobster and the scourge of polite society and liberals.

In his heyday, Mr. Dunleavy was the personification of Mr. Murdoch’s brand of tabloid journalism, both in print and, for 10 years beginning in the mid-1980s, on television. He was an on-air reporter for “A Current Affair,” a news magazine whose sensationalized mix of crime and celebrity inspired a lot of what is on television today, like TMZ.com, Court TV and Fox News Channel.

“Steve was very much involved in educating America about the joys and pleasures of tabloid journalism,” said Col Allan, editor in chief of The New York Post. “In many ways, Steve has represented the News Corp. culture — that is, hard work, hard play, laughing.”

Mr. Dunleavy also tweaked the political landscape of the city, proving that populism in New York City could come from the right and not just from the cadre of well-known left-leaning columnists of the time, men like Pete Hamill, Jimmy Breslin, Murray Kempton and Jack Newfield.

“Politically, the notion that there could be a populist, right-wing columnist in New York seemed almost inconceivable at the time, but that’s exactly what he was,” said Jonathan Mahler, author of “Ladies and Gentlemen, the Bronx Is Burning,” a chronicle of New York City’s turbulent times in 1977, and a contributor to The New York Times Magazine. “All of the iconic New York columnists were liberal, and Dunleavy was like the party crasher.”

There were times when his political instincts seemed to lead him astray, such as his championing of Wayne DuMond, who had been convicted in Arkansas of raping a distant cousin of former President Bill Clinton, who was governor of Arkansas at the time of the rape.

Mr. Dunleavy wrote a series of columns defending Mr. DuMond, who was eventually paroled, only to be convicted of murder in Missouri. And of course, Mr. Dunleavy has steadfastly refused to accept any criticism of the police — perhaps most notably by supporting the officers who were convicted in the case of Abner Louima, who was assaulted in the bathroom of a Brooklyn precinct in 1997.

But Mr. Murdoch has always liked party crashers, being one himself. Long before the News Corporation, his media conglomerate, conquered the world with cable news, movies and satellite television, it was an Australian newspaper company looking for a toehold in the United States. In the mid-1960s, Mr. Dunleavy was working in New York for United Press International, the wire service, which had its office in a building that also housed the foreign correspondents for Mr. Murdoch’s newspapers. It was there that Mr. Dunleavy met Mr. Murdoch, whom he now refers to simply as “the boss.”

In a nearly three-hour chat last week at Mr. Dunleavy’s home in Long Island, where he lives with his wife of 37 years, Gloria — hours in which he drank just two cans of Budweiser — he was uncharacteristically contemplative, melancholy even, but funny all the same.

He is in frail health, he says, because of back problems, which prevent him from moving around easily — although he insisted on fetching his second beer himself. Mr. Dunleavy and his wife have two sons, one a police officer, the other a soldier who has served in Iraq.

“I always had dreams of dying at the desk,” he said. “It’s frustrating not doing what I love best, and serving, I know it sounds corny, the one who I admire the most. Murdoch. The boss.”

It is a relationship that has spanned more than four decades, one that put Mr. Dunleavy, now 70, at Mr. Murdoch’s side as he popularized tabloid journalism.

“He was livelier than Solomon, and he was always the most entertaining reporter,” Mr. Murdoch recalled in a telephone interview last week.

Of Mr. Murdoch, Mr. Dunleavy says, “even though he’s done so well in TV and movies, I think if you asked him, he’d say he’s first a newspaperman.”

After working for several years as a correspondent in New York for Mr. Murdoch’s Australian and British papers, Mr. Dunleavy was tapped for a Murdoch start-up business in New York, The Star, a supermarket tabloid to compete with The National Enquirer. In 1976, Mr. Murdoch bought The New York Post, which was then a liberal newspaper.

“Murdoch took it over and Murdoch-ized it,” said Mr. Mahler. “And Dunleavy was at the center of it.”

In 1977, Mr. Dunleavy’s reporting on the infamous Son of Sam serial murder case reinvigorated The Post. Before Mr. Dunleavy hopped on the story, The Post had basically conceded it to The Daily News’s Jimmy Breslin.

“They kept spiking his copy,” said Mr. Murdoch, “while Breslin was leading every day. It was just killing The Post and killing Dunleavy. So I made a change because of that.” Mr. Murdoch brought in new editors, and Mr. Dunleavy began earning his own scoops — in one instance by sneaking into a hospital, dressed in clothes that looked like hospital scrubs, to interview a victim’s family.

“Steve is one of the three people in America who loves Rupert Murdoch,” said Mr. Breslin. “In a time of listless reporting, he climbed stairs. And he wrote simple declarative sentences that people could read, as opposed to these 52-word gems that moan, ‘I went to college! I went to graduate school college! Where do I put the period?’ ”

Mr. Hamill used to drink with Mr. Dunleavy at Costello’s, an old Manhattan saloon favored by reporters.

“He always had this energy,” Mr. Hamill said. “I always thought he was writing his columns like he was double-parked. He was a tabloid guy in every fiber of his body. If it didn’t have conflict, he didn’t want to write it.”

In 1988, the federal government forced Mr. Murdoch to sell The Post because he had bought a television station in New York, WNYW-Channel 5 (five years later, he reacquired the newspaper out of bankruptcy). It was around this time that Mr. Dunleavy’s television career was born on “A Current Affair.”

Recently, invitations went out to a slew of New York city journalists, police officers, lawyers, firefighters — and who knows who else — inviting them to a party given by Mr. Murdoch this week to celebrate Mr. Dunleavy’s retirement. Note that the party is not being held at Langan’s, the Midtown Manhattan bar around the corner from The New York Post’s newsroom that for years served as Mr. Dunleavy’s office.

He had a routine, normally arriving at Langan’s around lunchtime for a day of reporting. “You’d always know if he was hung over from the night before because he would have a cold beer right away,” said Des O’Brien, the owner of Langan’s. “He’d work the phone all day and various people would come in and out. He’d put in a full workday.”

If Mr. Dunleavy seems like a character out of a movie — the gruff, hard-drinking troublemaking journalist — that is because he is. Robert Downey Jr.’s role as an Australian TV reporter in Oliver Stone’s “Natural Born Killers” is said to have been based on Mr. Dunleavy. He was also a character in “The Bronx Is Burning,” which was made into a mini-series on ESPN.

“When I first came around, there was some very good newspapermen in New York,” Mr. Dunleavy said. “But increasingly, they started leaning on this Columbia School of Journalism thing. That you wanted your mom to be proud. That it was a profession.

“Journalism is a craft, like being a master plumber. We wore white collars, but we were blue collar.”

This generational clash became evident to Mr. Dunleavy years ago when he was on the campaign plane for Robert Dole, the former senator who ran for president in 1996, and saw younger reporters heading off to health clubs at the end of the day.

“As soon as we’d stop, we’d go have a gargle,” he says. “I think the younger generation is far better served going to the gym rather than the gin mill. No question about it. But we learned from our elders.”

Mr. Dunleavy gets to Manhattan infrequently nowadays, usually only when he has to see doctors at Mount Sinai Hospital, leaving voids at Langan’s, The Post’s newsroom and Elaine’s, the Upper East Side restaurant that was Mr. Dunleavy’s other favorite nightspot.

One night last week at Elaine’s, Elaine Kaufman, the proprietor, recounted the time that Mr. Dunleavy left the bar with a woman during a snowstorm and was hit by a truck. “He didn’t want to go the hospital,” recalled Ms. Kaufman. “And then there he was on the gurney.”

Mr. Dunleavy has not written much lately — he has been in a sort of unofficial retirement while he tends to his health. If he never writes again, his last byline was a tribute to his friend Tim Russert, the late NBC newsman.

“I laugh easily and loudly, but like so many of us, sometimes not sincerely,” Mr. Dunleavy wrote in June. “But with Tim, you responded with more than just a belly laugh — you’d end up in hysterics with tears streaming down your face.”

Probably more than a few can say the same about Mr. Dunleavy. “He’s a legend in his time,” said Mr. Murdoch.

Friday, September 26, 2008

Exclusive! Steve Dunleavy: A Man and His Music



Anyone who's read the book Tabloid Baby knows that Steve Dunleavy is the greatest and most influential journalist of the past fifty years. And for all the mainstream, highfalutin, latte-sipping scribes and network newscopiers who publicly look down their noses at him, there are hundreds of reporters, writers, editors, producers, newsreaders and execs who were lucky enough to learn at his fancy feet.

This is the first in a series of exclusive clips from the Tabloid Baby-Frozen Pictures production, Steve Dunleavy: The Man and His Music.